As of 4:30 pm on April 19th, the University of Texas amassed its latest piece for Landmarks public art collection—Ben Rubin’s tribute to Walter Cronkite, who attended the University in the 1930s. Titled And That’s The Way It Is projects massively sized text onto the side of a building in the Walter Cronkite Plaza. Full [...]
Filed in Art/Art History
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Also tagged Art Austin, Art/Art History, Austin, Ben Rubin, change, contemporary art, humanity, Rowan Ogden, Texas, texas art, University of Texas Austin
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Irish artist Tom Molloy makes work that addresses current global affairs, collecting together and subtly altering political imagery. “Shake” stretches around a central wall in the gallery, featuring 59 black and white photographs of various world leaders — Presidents Barack Obama and George W. Bush included — shaking hands. Each photograph includes a handshake or [...]
Friday, February 17, 2012
When we think of murals on public walls, we might imagine childlike portraits stretched across city blocks—or, the popularized work of Shepard Fairey (currently in Dallas). But we might not imagine a mural which touts an anti-American slogan like, “Down with U.S.A.,” or depictions of the statue of liberty as a skeleton, which the Associated [...]
Filed in Art/Art History, Social Issues
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Also tagged Adobe Airstream, Art/Art History, Austin, change, contemporary art, humanity, Lora Reynolds Gallery, progress, Texas, texas art
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Tuesday, December 6, 2011
Firstly, I’d like to say congrats to one of my favorite art spaces in Austin, Co-Lab for successfully “kickstarting” their DVD catalog. Check out the video here–super. More about Co-Lab‘s project: As a prolific artist-run project space, Co-Lab has always had a strong focus on documentation. This year, Co-Lab set out to make documentaries for every exhibition/performance the [...]
Filed in Art/Art History, Social Issues
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Also tagged Art/Art History, Austin, change, Co-Lab, consumerism, contemporary art, Hoyun Son, humanity, Kickstarter, korean contemporary art, Texas, texas art
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Tuesday, December 6, 2011
For Andrew Berardini, Art Basel Miami Beach 2011 was stressful, according to his report in Artforum from the celebrity-filled weekend. His story seemed honest. Read article here. Other reports indicate this year was as outrageous and successful as ever in Miami. The Art Newspaper reminded us of Art Basel’s modest beginnings; ten years ago a [...]
Filed in Art/Art History
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Also tagged Adobe Airstream, Andrew Berardini, Art Basel Miami Beach 2011, Art Newspaper, Art/Art History, capitalism, change, Charles Saatchi, consumerism, contemporary art, humanity, Miami Art Week, new mexico
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Thursday, October 20, 2011
On October 1, 2011 the Salon wrote that the “Creative Class Is a Lie;” no less than 5 days later Richard Florida of The Atlantic retorted, saying, “The Creative Class is Alive.” Discrepancy? Yes. And, the question, which is more right? Read full article on AdobeAirstream
Filed in Art/Art History, Social Issues
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Also tagged Adobe Airstream, Art/Art History, change, consumerism, contemporary art, humanity, PressPausePlay, progress, Richard Florida, Scott Timberg
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Santa Fe was unrecognizable June 10, for the opening night of Currents 2011, a festival for international, new media art. Amidst the bustling Railyard District were: people on bikes, Axle Contemporary’s mobile gallery, video art projected on buildings, the train running through the district, young hipsters on skateboards, experimental music in the streets, and bystanders. [...]
(Above: Image still from Michelle Handelman’s “Dorian, a Cinematic Perfume”) Panel discussion to coincide with the close of “Dorian, a Cinematic Perfume–” by artist Michelle Handelman. Thursday, March 24, 6:30 pm in the community room Moderated by Elizabeth Dunbar, Associate Director and Curator, Arthouse Panelists: Andy Cambell, Michelle Handelman, Rose Reyes, Ann Reynolds, kt shorb, and Noah Simblist FROM [...]
Although no major biography has been published about him, and his name might scarcely ring a bell, Cady Wells (1904-1954) was a prominent New Mexico artist, who widely contributed to the Southwest art scene. When cultural and biographical historian Lois Rudnick told people about her upcoming book Cady Wells and Southwestern Modernism, people often responded, [...]