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Tag Archives: change

Photos of UT’s First Site-Specific Installation for Landmarks

As of 4:30 pm on April 19th, the University of Texas amassed its latest piece for Landmarks public art collection—Ben Rubin’s tribute to Walter Cronkite, who attended the University in the 1930s. Titled And That’s The Way It Is projects massively sized text onto the side of a building in the Walter Cronkite Plaza. Full [...]

Editorial: Recommendations, Tom Molloy

Irish artist Tom Molloy makes work that addresses current global affairs, collecting together and subtly altering political imagery. “Shake” stretches around a central wall in the gallery, featuring 59 black and white photographs of various world leaders — Presidents Barack Obama and George W. Bush included — shaking hands. Each photograph includes a handshake or [...]

Political Art and Tom Molloy’s New World

When we think of murals on public walls, we might imagine childlike portraits stretched across city blocks—or, the popularized work of Shepard Fairey (currently in Dallas). But we might not imagine a mural which touts an anti-American slogan like, “Down with U.S.A.,” or depictions of the statue of liberty as a skeleton, which the Associated [...]

Art Friends on Kickstarter

Firstly, I’d like to say congrats to one of my favorite art spaces in Austin, Co-Lab for successfully “kickstarting” their DVD catalog. Check out the video here–super. More about Co-Lab‘s project: As a prolific artist-run project space, Co-Lab has always had a strong focus on documentation. This year, Co-Lab set out to make documentaries for every exhibition/performance the [...]

Miami Art Week, As Trashy As Saatchi’s Tirade Suggests?

For Andrew Berardini, Art Basel Miami Beach 2011 was stressful, according to his report in Artforum from the celebrity-filled weekend. His story seemed honest. Read article here. Other reports indicate this year was as outrageous and successful as ever in Miami. The Art Newspaper reminded us of Art Basel’s modest beginnings; ten years ago a [...]

Is the Creative Class Surviving the Recession?

On October 1, 2011 the Salon wrote that the “Creative Class Is a Lie;” no less than 5 days later Richard Florida of The Atlantic retorted, saying, “The Creative Class is Alive.” Discrepancy? Yes. And, the question, which is more right? Read full article on AdobeAirstream

Overconsumption, Contemporary Art’s Perspective

In 2005 when Angelina Jolie and Brad Pitt’s “air” reportedly sold on Ebay for $529.99, I was shocked. The latest genius of senselessness, of course, is the doomsday prophet Harold Camping. Camping botched his first apocalyptic prediction, confusing the months of May and October. Oops! He meant to say that the end of the world [...]

Currents 2011: New Video Reviewed

Santa Fe was unrecognizable June 10, for the opening night of Currents 2011, a festival for international, new media art. Amidst the bustling Railyard District were: people on bikes, Axle Contemporary’s mobile gallery, video art projected on buildings, the train running through the district, young hipsters on skateboards, experimental music in the streets, and bystanders. [...]

Farm to Table, a Local Necessity

I tagged along with Rowan Ogden to meet John Lash, owner of Austin’s Farm to Table, a few weeks ago. What’s Farm to Table? Well, when something is coming from a farm and going to a table, even within the same town, there is a holding facility—that’s Farm to Table. This holding facility, the Farm [...]

Inflammatory Images and the Politics of Sex

(Above: Image still from Michelle Handelman’s “Dorian, a Cinematic Perfume”) Panel discussion to coincide with the close of “Dorian, a Cinematic Perfume–” by artist Michelle Handelman. Thursday, March 24, 6:30 pm in the community room Moderated by Elizabeth Dunbar, Associate Director and Curator, Arthouse Panelists: Andy Cambell, Michelle Handelman, Rose Reyes, Ann Reynolds, kt shorb, and Noah Simblist FROM [...]